Without all these people, it would be not been possible at all. Thank you so much!
Behind every project you have the power of humanity
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Extrusion en Instituto Phonos – Barcelona
El próximo 20 de marzo a las 19.30h, la pieza Extrusion de Ángel Arranz abrirá un nuevo concierto Phonos en el Institut Universitari de L’Audiovisual – Universidad Pompeu Fabra de Barcelona.
Extrusion, obra de 2010, es la segunda tape del ciclo [d]espacio: serie acusmática con videoproyección sobre cuatro bodegas vanguardistas españolas. Música, videoarte y arquitectura compuesto por Ángel Arranz con visualizaciones de Beatriz del Saz. La pieza está inspirada en el edificio de Bodegas Marqués de Riscal – Ciudad del Vino, diseñado por Frank Gehry; está compuesta para 8 canales y fue estrenada en la Discussion Concert Series del Institute of Sonology de La Haya en 2010.
La versión que se ejecutará en Phonos será una versión octofónica sin video-proyección.
[d]espacio en el Koninklijk Conservatorium de La Haya
Hoy 8 de marzo de 2012 , a las 19.30 h, en la Arnold Schoenbergzaal del Koninklijk Conservatorium de La Haya presentamos [d]espacio: serie acusmática sobre cuatro arquitecturas españolas. Música, video-arte y arquitectura.
La entrada es gratuita y el evento incluye una cata de vinos.
[d]espacio at the Koninklijk Conservatorium of The Hague
Tonight 8th March 2012, 19.30h, at the Arnold Schoenbergzaal of the Koninklijk Conservatorium of The Hague we will present [d]espacio: acousmatic series on four Spanish buildings.
Free entrance and free wine tasting of 4 excellent Spanish wines.
multimedia concert [d]espacio – Thrusday 8th of March – 19.30 Koncon, Den Haag [NL]
Next Thrusday 8th of March, at 19.30 hours, The DK projection will peform the multimedia concert [d]espacio at the Schoenbergzaal of the Koninkjilk Conservatorium Den Haag -address Juliana van Stolberglaan, 1.
[d]espacio is a series of four acousmatic pieces with video projections by the composer Ángel Arranz and the visual artist Beatriz del Saz. The series is inpired on four Spanish avant-garde wineries; it was composed between 2009 and 2012: Electronic Study is based on Bodegas Protos by Sir Richard Rogers; Extrusion is based on Marqués de Riscal – Ciudad del Vino by Frank Gehry; S A H, on Bodegas Ysios by Santiago Calatrava, and finally, the last piece, De la luz y del espacio takes inspiration on Bodegas Qumrán by Hernández/Solís.
The entrance to the concert is free and will include a free wine tasting, with a selection of the best wines of these companies. Please, feel free to come by.
Would you like to know….
… about wine? Let us introduce you to our expert oenologist, our cat Maia. She will tell you about some of the top-class, incredible wines that The DK projection will be presenting in a FREE WINE TASTING, included in the show next Thrusday March 8th, 19.30 at the Koninklijk Conservatorium Den Haag.
The sponsors involved in such an experience [Bodegas Protos, Bodegas Ysios and Bodegas Qumrán], as well as other friend wineries [Marqués de Riscal from La Rioja, and López Cristóbal, from Ribera del Duero] will offer you a sample of their magic, in a combination of music, architecture and digital arts.
De la luz y del espacio, tape inspired in Bodegas Qumrán
As the date of the concert gets closer, this last week, we will speak about De la luz y del espacio, the fourth piece of our acousmatic series with video projection. This is the last piece of the [d]espacio series, and it has therefore a clear role: being the anti-rythm of all the rest.
The piece is based on two key concepts derived from the interiors of Bodega Qumrán´s building by Hernández/Solís: the first concept is light undergoing a very studied program, turning into constructive matter, such as glass and concrete, thanks to its rich functionality. The second concept is the architectural program in its strict sense, which aims to fulfill the building´s practical requirements – those of a factory -, as well as the continuity of the main material – concrete -, which re-adapts its interior volumes, generating poliedric gestures, inviting the visitor to perceive rich acoustic spaces. This is so partly because of the resonating characteristics of the main material (concrete), and partly because of its volumetric characteristics.
The premiere of this piece took place last november in the South-Korean city of Busan. The premiere of [d]espacio in Salamanca, and its later performance in The Netherlands, will show the piece integrated in the series for the first time.
