Vertical sound landscapes

During the two-days working time at Festival SON, The DK <projection> curated the wonderful piece Missa Brevis for church organ and live electronics by the composer Josué Moreno. The piece is a sort of sound installation that uses generative processes keeping itself evolved endlessly and interacting beautifully with the space it occupies.

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At the very beginning of the piece, the performer plays a written score spatialized among a number of speakers. At a certain moment, the performer stops playing the organ and an autonomous process via computer continues the music by using, among many other things, the pre-stored sounds played by the perfomer. The result is a fascinating number of luminous sound events spread around the space. Josué’s music has this sort of northern Europe touch that deals with sound in a very crystalline way. We tried to emphazise this by using a small positive organ, property of the great Spanish organ builder, Federico Acítores [many thanks, Federico!]. The positivo’s sonic warmness, indeed a characteristic pretty analogic from these kind of instruments built by Federico, was really let noted in the hall. Furthermore, it was a brand-new incredible instrument just finished some days before, whose registers were able to produce the sweetest sounds. So, it resulted in an asserted presentation. Here, you could listen to an short extract from the live recording of the concert:

The original artistic/philosophical idea of Josué’s piece is to keep it sounding even days. Generally speaking, the composer understands the concept score not as a mere field of instructions, but as a sort of  sonic choreography in which, in a certain way, musical time is extended. In this occassion at Festival SON – musicadhoy, the whole musical programme was realized at the patio of La Casa Encendida, so it was neccesary to adapt the exhibition time in order to fit well among many other concerts and actitivies. In spite of these little time constrains, the piece worked out gorgeous within the space we exclusively designed for it.

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Ángel was really inspired by the vertical aspect of the patio, so he proposed to Josué to adapt the diffusion idea of the work to this feature.  In order to realize that, Ángel designed a speaker set that describes a sort of helicoidal rising route. In order to do that, two extra speakers were hung, one from a balconiy and another from the terrace at La Casa Encendida attic, something like 20-25 meters up to the floor. There were like five different height levels in which 8 speakers were distributed: floor level, medium level, high level, balcony level and attic level. The idea was to obtain farer away sounds while the piece occuring, only letting the two uppest speakers sound at the very ending section of the piece. This vertical aspect, together with the idea of luminosity, that is, to achieve each time more and more luminous sounds by verticalizing them, worked perfectly together.

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Festival SON – musicadhoy

Festival SON – musicadhoy
SON[ic] architectures + callingHiggs

Sábado 9 de marzo, 22h

Patio de La Casa Encendida
Ronda de Valencia, 2
Madrid

Ya está todo listo para nuestra participación en una nueva edición de Festival SON – musicadhoy el próximo sábado a las 22.00 horas, en el marco de La Casa Encendida de Madrid. Contaremos con la presencia en esta ocasión de tres grandes músicos: Akane Takada, Josetxo Silguero y Ralph Krause, quienes nos ayudarán, junto con Nina Kraszewska en el control técnico, a recrear por ver primera sonic architectures de Ángel Arranz, un ciclo de composiciones electroacústicas y acusmáticas sobre las que se engastan las creaciones de video de Beatriz del Saz. El ciclo está compuesto de un número variable de piezas, basadas e inspiradas en la arquitectura.

esquema planta Protos

sonic architectures es una propuesta creativa de largo recorrido, no finalizada aún, la cual nació en 2006 en torno al núcleo de arquitectura, música y la video creación. Se da la circunstancia que los cuatro edificios tomados como modelos son cuatro bodegas vanguardistas españolas. La aventura comenzó con Bodegas Protos, obra del Sir Richard Rogers [lo cual, atendiendo a la raíz griega del nombre, no deja de ser paradójico que éste fuera el primer edificio], para la que compusimos Piano Concerto. Luego surgió un ciclo entero sobre la misma bodega [DK <sin> para ensemble, Electronic Study, tape a 4 canales] y más adelante vinieron más edificios: Hotel Marqués de Riscal, Bodegas Qumrán y Bodegas Ysios…  y sobre ellos nuevos ciclos.

Presentaremos también callingHiggs, una flashmob donde usaremos telefonía móvil. Se trata de una pieza para 31 pistas diferentes, distribuidas entre los teléfonos móviles del público participante, con el apoyo de una tape a 8 canales que tratará de sacar partido a las peculiaridades del set octofónico que tendremos en la sala.

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Si queréis participar, tendréis que bajaros vuestros mp3 a través del ordenador en casa y subirlos a vuestro smartphone, como si os estuviérais subiendo música al móvil. Aquí os podéis bajar los mp3 y os animamos a que participéis con nosotros, creando una pieza conjunta todos a una:

http://thedkprojection.com/index.php/projects-2/119-callinghiggs